Year:  2014
Country:  UK
City:  Sheffield
Label:  Kiks / Girlfriend rec.
Format:  cassette
Tracks:  5
Time: 60 min.
Genre:  electronic
Style:     Field Recordings

ADAM DENTON plays in a duet called "Trans/Human" and strange, bizarre and abstract noise project with already four works recorded.  They just released a great LP and also he alone has also released music on Blackest Rainbow Records under the name "Swan Hunter". He makes free improvisation and makes prepared and customised instruments for his live performance. Here is also a video of ADAM DENTON performing live aktion HERE . In the other hand, we have the other musician of this split tape called IAN WATSON. He creates his own ring modulator technology and makes FX pedals for many friends in the UK noise scene. He has worked on many noise projects for last 10 years. He now has focalized his attention in a project called SWEFN, making harsh noise, experimental and field recordings. He is also a talented graphic artist with current exhibition in Cardiff, UK. All the "Latencies" material is made using special made technology and is recorded over the internet in live takes. Using one sound in one location to trigger and effect sounds in a different location. For those who want to buy this awesome tape you can write HERE .
  Discogs   ,   Lastfm   ,   Bandcamp   ,  Adam Denton   ,   Ian Watson      


"Navy see res in brighton"
Country:  Japan
City:  Yamanashi
Label:  Matter rec.
Format:  net
Photo  cover:  Yu Miyashita
Tracks:  11
Time:   45 min.
Genre:  electronic
Style:    Glitch    Ambient    Noise

 Electronic Musician as Yu Miyashita aka Yaporigami is running a music studio offering sound design, soundtrack, mixing, mastering services and creating his own works. His style is mostly glitch, ambient and noise which are constructed from digital debris, errors and the processing (often the misuse, reissue or abuse) of normally extraneous sounds, instruments and machinery. Glitch musicians will record bugs, crashes, system errors, hardware noise, skipping and audio distortion on their computers. This album is based on free improvisation, free creativity and pure instinct and was recorded during 2011. This type of music is more textural than structural, cutting together elements of electronic and noise music and even a silence or abscence of sound. Sometimes it remind me musicians like Fennesz or Yugi Kondo, or another noisier like KK Null or Alexei Borisov. Excellent album.
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Year:  2004
Country:  Germany
City:  Düsselford
Artist:  Markus Zimmermann
Label:  Le Petit Machiniste
Format:  CD
Tracks:  13
Time:  48 min.
Genre:  electronic
Style:      Rhythmic Noise

This record opens my mind with the almost "dance" sound of fan blades rotating, gradually increasing for several minutes. If you turn it up all the way you can hear the actual sound of the blades and the spinning, and if you give it any kind of serious EQ boost you will get a speaker-destroying rumble. The sonics on the first track of this record are very physical, personal and internal. The extreme sonics go into a rhythmic noise realm that is very disturbing in sound and funny in nature. The use of live fan-blade manipulation as backing source material of brutal rhythmic noise amplified electronics stems from an innocent exploration of sounds that fascinated the composer from a very young age. The explosive vocal patterns and shouting compositions in some ways recall Markus earlier works with techno and noise,  but always within the extremely individualized and unique lens that this formation of Markus work has materialized into. I have just discovered a little gem and I recommend this album for those who love rhythmic noise and powernoise.
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"Fat world"
Year:  2014
Country:  Denmark
City:  Copenhagen
Label:  Beartown rec.
Format:  cassette
Edition:  43 copies
Tracks:  3
Time:  28 min.
Genre:  electronic
Style:    Musique Concrète    Noise

One half of STAR TURBINE and the whole entirety of himself, Claus Poulsen presents 3 live pieces recorded in the UK and Denmark. Side A features 15 minutes culled from a derranged late night, 'straight from the airport set', while side B is a hack 'n' slash job featuring racket generated at both Electric Knife Records, London and Skrat Studio, Copenhagen. Field recordings, processed dribbling, violin bow abuse and whistling filters. Intense textural investigations from the man who controls vermin with HNWs for fun - but not today. Edition of 43 tapes with full-colour 'trans-human' cover by CWB with Cheshire Plains on-tape stickers. I think there left still some physical copies of this cassette, so If somebody want to get it can go HERE . I had this gentelmen added as a friend in a net-work, but had not yet to listen to with attention his music until now. In his bandcam everybdy can to listen to 6 albums and I seventh album in other site, I mean, nobody has excuse to know this interesting experimentalist musician and make his own conclusions. We don´t deal with an extreme noise, even not noise music, but rather experimental, musique concrète and field recordings.
  Discogs   ,   Lastfm   ,   Bandcamp     Discography   ,   Web   ,   Facebook   ,   Soundcloud   ,   Myspace   ,   Beartown Records     




Year:  2010
Country:  US
State:  Georgia
Artist:  Tyler Keen
Label:  Banned prod.
Format:  cassette
Edition:  50 copies
Tracks:  13
Time:  70 min.
Genre:  electronic
Style:     Noise      Spoken Words

Sometime I don´t know If I believe seriously some noise projects, because some adopt a political statements or aesthetic so extreme, that seem unreal. Needless to say names you can think of several names. This is the case of VIOLENT PINK, very similar to other noise project, although here the human voice is used as an instrument: screams, spoken words, speeches, etc. As I have explained and if I'm not mistaken, VIOLENT PINK wants to claim the space of gays and lesbians in the noise scene / industry. And I think that is very fair and appropriate, if the project is serious and Real. Anyway, this cassette from 2010 is not bad at all and has 13 tracks = over 70 minutes of noise. Tyler Keen was the musician.
  Discogs   ,   Lastfm   ,   Bandcamp    ,   Banned Production    




Year:  1993
Country:  Japan
City:  Shizuoka
Artist:  草深公秀 (Kusafuka Kimihide)
Label:   Kinky Music Institute
Format:  cassette
Tracks:  4
Time:   50 min.
Genre:  electronic
Style:    Experimental    Noise

K2 is Japanese noise musician Kimihide Kusafuka who was active since the early 80s and produced a number of tapes and CDs, particularly for his own Kinky Music Institute label.
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"Land of volcano"
Year:  2013
Country:  Japan
Label:  Grind karaoke rec.
Format:  CD
Tracks:  12
Time: 30 min.
Genre:  electronic
Style:     Japanoise

Kusafuka Kimihide been producing NOISE with K2 and other names since 1980 in his native Japan. A part also founded his own label "Kinky Music Institute" to self-edit their material, but after it has been edited to similar bands in different formats (cassett, CD or EP). The style of K2 "metal-junk" and is super extreme, called JAPA-NOISE or what is the same (aka), most insufferable noise, unbearable, unendurable, tortuous, dañaino and all negative adjectives that can add to. The HNW is a lullaby to take the kids to bed, compared with K2 and generally go with the whole string of hysterical Japanoise bands.
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Junk electronics by K2  new live setting ! в BLUE tal Yokohama —



"Misery index"
Year:  1996
Country:  US
City:  Saint Petersburg , FL
Label:  Sound pollution
Format:  CD
Tracks:  15
Time:  33 min.
Lyrical themes: anarchism , pacifism
Genre:  rock
Style:     Grindcore

ASSÜCK was an american grindcore band from Saint Petersburg Florida, active from 1987 to 1998. The band proved influential with their album Anticapital (1992) voted number 4 in the Terrorizer list of their top 20 US grindcore albums, who described it as a "low-calibre battery of brooding, malicious, doom-ridden grind pitched somewhere between early Napalm Death and even earlier Bolt Thrower". According to journalist Greg Pratt, "Assück were an incredible band with probably metal's best drummer [Rob Proctor], although no one ever mentions his name. They combined shockingly well-written poetic and political lyrics with catchy songs, insane musicianship and a short-fast-loud brutality that no one has topped since. Writing for "Maximumrockandroll", Felix von Havoc describes the political punk and metal roots of this band, stating "Assuck managed to combine the anger, fury and social commentary of a anarcho punk band with the musicianship and production quality of a technical heavy metal band.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Web   ,   Facebook   ,   Myspace   ,   Sound Pollution Records    

Year:  1991
Country:  US
City: Saint Petersburg , FL
Label:  Sound pollution
Format:  CD
Tracks: 25
Time:  38 min.
Lyrical themes:  anarchism , pacifism
Genre:  rock
Style:     Grindcore

How does a band manage to play this fast without taking heavy dosages of speed? How does the singer growl that deeply with out straining his vocal chords? Who cares, as long as ASSÜCK continues to perform and release albums like "Anti-Capital". With 15 songs that clock in under 16 minutes, these guys blaze through some of the most politically charged grindcore at an inhuman speed. This absolutely rules.
  Discogs   ,   Lastfm   ,   Bandcamp