2.22.2015

WOLF EYES





























http://destijlrecs.com/images/wolfeyes_LO.jpg"No answer-lower floors"
Year:  2013
Country:  US
City:  Detroit
Label:  De Stiijl
Format:  CD , LP
Tracks:  6
Time:  36 MIN.
Genre:  rock , electronic
Style:     Noise     Experimental




























In those last eight years, WOLF EYES have refused to slow down or settle into an easy cycle of creation. In spite of several lineup changes - from Aaron Dilloway’s vacancy and the recruitment of Mike Connelly (who has now left the band) to the recent acquisition of yet another Michigan dude, “Crazy Jim” Baljo - WOLF EYES has shown no signs of stopping their sonic assault. If anything, they have proven that all you really need to innovate is passion and some good friends who are willing to be in your band. "No  Answer: Lower Floors" is arguably the first major chapter in the continuing story of WOLF EYES. Even though Dilloway and Connelly are no longer full-time wolves, they both make an appearance on this release, so consider this a family reunion of sorts. Exciting? You bet! Captivating? …well, most of the time.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Stijl Records   


















































http://images.junostatic.com/full/CS2501712-02A-BIG.jpg"Burned mind"
Year:  2004
Country:  US
City:  Los Angeles
Artist:  Aaron Dilloway, John Olson & Nate Young
Label:  Sub Pop
Format:  CD
Tracks: 13
Time:  50 min.
Genre:  electronic
Style:     Noise     Experimental


  Discogs   ,   Lastfm   ,   Bandcamp  

























































https://ia902302.us.archive.org/33/items/wolfeyes-noise/wolf.jpg"Fuck Pete Larsen"
Year:  2001
Country:  US
City:  Los Angeles
Artist:  Aaron Dilloway, John Olson & Nate Young
Label:  American Tapes
Format:  CD
Tracks:  4
Time:  50 min.
Genre:  electronic
Style:     Noise     Experimental





  Discogs   ,   Lastfm   ,   Bandcamp 






































































https://ia902602.us.archive.org/21/items/wolfexperimental-2002/wof.jpg"Snake Transmitters"
Year:  2002
Country:  US
City:  Los Angeles
Artist:  Aaron Dilloway, John Olson & Nate Young
Label:  American Tapes
Format:  CD
Tracks:  4
Time:  50 min.
Genre:  electronic
Style:     Noise     Experimental
























This legend band is formed by three important musicians in the field of experimental music: Aaron Dilloway, John Olson, Nate Young.
  Discogs   ,   Lastfm   ,   Bandcamp  .   Web   ,   Facebook   ,   Soundcloud   ,   Big Cartel   ,   American Tapes   


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2.11.2015

SONAR





























"Cut us up"
Year:  2012
Country:  Belgium
City:  Bruxelles
Label:  Ant-zen
Format:  CD
Tracks:  9
Time:  38 min.
Genre:  electronic
Style:     Rhythmic Noise




























Sonar is a side-project of Dirk Ivens, former frontman of historical Belgian EBM band The Klinik and now active as Dive. The music is a powerful mix of industrial, techno and noise. First releases saw Ivens working together with Patrick Stevens of Hypnoskull, then he was joined by long time friend Erik Van Wonterghem (Insekt, Monolith). Sonar is a great experience on stage, where the two members stand one face to the other, mixing their noise rhythms and throwing them to the audience. 
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Web   ,   Facebook   ,   Soundcloud   ,    Daft Records   ,   Myspace   






















































2.03.2015

PAWEL KMIECIK



























http://images.junostatic.com/full/CS2422438-02A-BIG.jpg 
WIELORYB
"Namaste"
Year:  2012
Country:  Poland
City:  Gdansk
Artist:  Pawel Kmiecik
Label:  Hands prod.
Format:  CD
Tracks:  13
Time:  50 min.
Genre:  electronic
Style:      Rhythmic Noise




























The band WIELORYB was established in 1994 in Gdansk, Poland. At first it consists of four members from different formations from the Tri City. They play quite experimentally. In the same year they release their first album called “I”. WIELORYB, as one of the first Polish electronic and noise bands, starts playing live in the country and abroad. WIELORYB plays with such musicians as Jimi Tenor, Pan Sonic, 100 Blumen, Winterkälte and Ambassador 21. In 1995 they release their second official album: “II”. The current musical path WIELORYB decided to walk along is industrial rhythmic noise, inspired by ever existing rhythm. Gdansk is for Poland the city of noise, the heart beat, the rhythm of machines, the pulse… Consistent, regular, repetitive…











ANTYSCENA.pl is the place to promote independent artists, niche, avantgarde. The idea AS is to promote art uncompromising, innovative and brave. We support the artists in various fields not contained within the banality and populism. ANTYSCENA portal open to all interested and independent forms of activity. We support and distribute electronic music especially industrial, noise,ebm .....We focus around each other creators of Polish and foreign. We organize concerts, FESTIVAL ANTYSCENA, exhibitions, joint projects, etc.
   Discogs   ,   Lastfm   ,   Bandcamp   ,   Bio   ,   Facebook   ,   Myspace  


 





































































1.30.2015

FACIALMESS

























http://rymimg.com/lk/f/a/c533ca3bb8e9fb3abf2c19694f36254c/1941097.jpg"Dub made flesh"
Year:  2006
Country:  Japan
City:  Chiba
Artist:  Kenny Sanderson
Label:  Obscurica rec.
Format:  CD
Tracks:  7
Time:  45 min.
Genre:  electronic
Style:     Harsh Noise     Space



























FACIALMESS is the Tokyo based dynamic harsh noise unit of Kenny Sanderson, who started making tapes of noise under the name of Metodtorinus in early 1995. Also provided electronics for the grindcore project Nikudorei. Releases include splits and collaborations with SUPPRESSION, BASTARD NOISE, LASSE MARHAUG, MSBR, GUILTY CONNECTOR, SICKNESS, TEF, SORE THROAT, etc. 
  Discogs   ,   Lastfm   ,   Bandcamp   ,    Facebook   ,   Soundcloud   ,   Youtube   ,   Twitter    ,   Interview  


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1.25.2015

GREYMACHINE



























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"Disconnected"
Year:  2009
Country:  UK
City: 
Label:  Hydra head rec.
Format:  CD
Tracks:   9
Time:  60 min.
Genre:  electronic , rock
Style:    Harsh Noise      Doom Metal





































Does Justin Broadrick ever fucking sleep? It would be impressive enough that the guy puts out more music in a single year than most artists do in a five, but even more incredible is that pretty much all of it is awesome. It must just be in the dude’s DNA to make great music. Broadrick’s latest project is Grey Machine, a collaboration with Isis’ Aaron Turner (Jesu’s Dave Chochrane and Diarmuid Dalton also contribute.). For anyone who misses the days when Broadrick’s music used to be on the heavier side of the spectrum (as opposed to the soothing, repetitive aural waves of Jesu), this is the perfect music for you: it’s obviously not Napalm Death, but it’s definitely more in the vein of Streetcleaner-era Godflesh. Which is not to say it sounds JUST like Godflesh – but that might give you some idea of the direction the group seems to be heading in.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Web   ,   Facebook   ,   Twitter   ,   Soundclock    ,    Myspace    ,    Hydra Head Records    



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1.23.2015

ANIMAL MACHINE































https://ia802705.us.archive.org/1/items/animalmachine-2015/ANIMAL%20MACHINE-EXEDO-cove%20Kopie.JPGANIMAL MACHINE +
EXEDO
Year:  2013
Country:  Peru , Germany
Label:  Attenuation Circuit
Format:  CD
Tracks:  4
Time:  40 min.
Genre:  electronic
Style:      Harsh Noise





























ANIMAL MACHINE release next to EXEDO is an almost 40 minute album of chaotic, disorded and ultra dynamic harsh noise that change non stop, which should surprise no one at all. His output of late has felt very similar – I keep coming back to his release on the norwegian label "Ambolthue Records", also his "Killing Wheel", where all tracks sounded almost completely the same irritable extreme harsh noise. I’m don´t know why the EXEDO influence is absent, there is no EXEDO influence, in the sense that this austrian project use to make noise close to ambient / drone landscapes and a slowier tempo. Here both projects show us its wild side, its extreme side. Pure chaos but whatever the case, this release is certainly a slab of pure synthetic and electronic harsh noise that show light from all corners. Here there is a sound sharp and my ears can to percive a great chaos sensation in the background of ambiance. There’s little room within the wall for milion movements – the dynamic is stoic, the noise is stoic – and so the result is something that evokes a total universal explosion. If you like the japanese masters don´t miss this split. Energy, Eclosion and Noise!
  Discogs   ,   Lastfm   ,    Bandcamp   ,   Other Releases   ,    Web   ,   Facebook   ,   Attenuation Circuit Records  


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Front Cover"The final war"
Year:  2008
Country:  Peru
City:  Lima
Artist:  Enrique Bohorquez
Label:  Ambolthue rec.
Format:  net
Tracks:  4
Time:  30 min.
Lyrical themes:  ecologism , animal rights
Genre:  electronic
Style:      Harsh Noise



























Here we are in front of another ANIMAL MACHINE recording, aka another extreme electronic four tracks album. But it doesn´t sound bored, empty or extremly static but the opposite, an ultra dynamic harsh noise which crush like wood on fire. Despite there are no lyricis nor voices, the lyrical theme is about ecologism, animal liberation and defense our earth, as usual in this artist.
  Discogs   ,   Bandcamp   ,   Ambolthue Records 



































































1.16.2015

TORE HONORE BOE





























Front Cover"Viscum album"
Year:  2003
Country:  Norway
City:  Oslo
Label:  Ambolthue rec.
Format:  CD
Edition:  100 copies
Tracks:  6
Time:  36 min.
Genre:  electronic
Style:      Silence      Noise




























During the last twelve years TORE HONORE BOE has developed the acoustic laptops, which he uses for microacoustic sound exploration and performances, but also shares via exhibitions where they stand plugged for the visitors to play, or in workshops where young and old are invited to create their own. Various acoustic laptops are on permanent and temporary display at galleries, other musicians are using them, and Boe travels continously to present them in any way and venue possible. His experiments with sound, noise and silence has became in interestings recordings like this one here "Viscum album", a work which start almost in total silence and develope to noise. The musician recorded these tracks between 2002 / 2003 but was "Ambolthue Records" the label which made and distributed the CD in 2007.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Web   ,  Facebook   ,   Facebook    ,   Soundcloud   ,    Myspace  























































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